Black Petal (2021)
Selected for June in Buffalo 2023 (deferred)
written for the [Switch~ Ensemble]
flute/bass flute, alto saxophone/baritone saxophone, percussion, violin, and cello
Black Petal is after Li-Young Lee
Duration: 10 minutes
Movements:
I. Vacant Boat, Burning Wing, My Black Petal
II. Does someone want to know the way to spring?
III. the far years between stars in their massive dying
Performances
University of Missouri, recorded telematically by the [Switch~ Ensemble] on April 21, 2021 and premiered online May 2, 2021
[Switch~ Ensemble], University of Missouri, Columbia, MO, February 15, 2022
Program Note:
Black Petal is inspired by a poem of the same title by Li-Young Lee from his book, Book of My Nights. My aim was to translate the poem into music and to interpret the emotion and themes into a meditative soundscape. For the purposes of this composition, I divide the poem into three sections that align with the work’s three movements.
The poem begins with a character who reminisces about their dead brother, “I keep him under my pillow, a dear wish / that colors my laughing and crying.” In this first section, the persona speaks of the absence that their brother’s passing has left in their life. It acts as a reminder of the inevitability of death and, in a larger scope, the brevity of life: “He died too young to learn his name. / Now he answers to Vacant Boat, / Burning Wing, My Black Petal.”
The second section is a dialogue between the two in which the brother answers the persona’s questions. This acts as a continuation of the first movement’s themes of death, but the replies lay a foundation for acceptance and reconciliation. “Does someone want to know the way to spring? /” the character asks. “He’ll remind you / the flower was never meant to survive / the fruit’s triumph.”
The final section begins with a sentiment of memory: “He says an apple’s most secret cargo / is the enduring odor of a human childhood.” So long as we allow people to live on in our memories, they are never truly absent; the past, in essence, gives comfort and hope to the present. The character also learns to recognize the cycle of generations that is inherent to existence, which provides a reason to look towards the future. “His voice / weighs nothing / but the far years between / stars in their massive dying, / and I grow quiet hearing / how many of both of our tomorrows / lie waiting inside it to be born.”
In the last few years, I have become comfortable with the idea of death, and I do not desire a legacy or memoir. Knowing I will live on in the memories of the people I care about has always been enough. In writing Black Petal, perhaps I am counteracting this philosophy, but I hope that this piece offers an introspective experience.